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The Arts
Subway Stage

Mechanical Engineering
“Candy Rocket” Earns AML Students Kudos

Nanotechnology
Nanoscale Magnetism Detected by Hybrid Nanostructures
Light-Speed Nanotech: Controlling the Nature of Graphene

Center For Open Software
Bringing Personal Finance to the iPhone

Enrollment Management
Reaching Out at STAR Outreach Program

Future Chips Constellation
New LED Drops the “Droop”
“Near Perfect” Absorption of Sunlight, From All Angles

Board of Trustees
Celebration of Faculty Achievement

Entrepreneurship
Symposium Focuses on Women’s Health

Biology
Researchers Isolate Protein Domain Linked to Tumor Progression

Science and Technology Studies
New Book Delves Into Genomics Issues

Breakthroughs
Research Roundup

Physics, Applied Physics, and Astronomy
Mapping the History of Our Galaxy

Sports Report
Men’s Basketball Coach Breaks Record for Career Victories

Rensselaer Research Libraries
Professor Shares History of Geology

Making A Difference
Alumnus Supports Students in First Indo-U.S. Research Academy

Milestones
Accolades and Accomplishments

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And the Oscar Goes To...

When the movie Slumdog Millionaire won the Academy Award for Best Picture last month, it marked “a real transition for the movie industry,” according to Ari Presler ’87.

The film, which took home eight Oscars including one for Best Cinematography, was filmed using handheld digital cameras created by Silicon Imaging, which was founded by Presler in 2000 in the Rensselaer Incubator. It is the first movie shot predominantly digitally to win the coveted Best Picture award.

“That’s the best recognition that a technology and equipment supplier to the industry can get,” Presler says. “Just being associated with a project that’s had such a global presence—not only the fact that it won the Oscars—really validates our technology and product as a viable component to future production, for both cinema and television.”

Filmmakers Danny Boyle and Anthony Dod Mantle wanted to use lightweight handheld cameras to film action scenes, making viewers feel like they are in the middle of the action. “I had to find a camera setup that would be ergonomic enough for me to throw myself around the slums chasing the children while maintaining as much picture detail in the shadows and highlights,” Mantle said.

They chose the SI-2K digital cinema cameras created by Silicon Imaging. According to Presler, the filmmakers were so impressed, they used the cameras for about 60 percent of the filming.

Presler gives credit to time spent in Rensselaer’s Image Processing Labs as a student for introducing him to the technical side of imaging capture. “It gave me a real foot in the door in the research area,” he says.

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Rensselaer (ISSN 0898-1442) is published in Spring, Summer, Fall, and Winter by the Office of Strategic Communications and External Relations, Rensselaer Polytechnic Institute, Troy, NY 12180-3590. Opinions expressed in these pages do not necessarily reflect the views of the editors or the policies of the Institute. ©2009 Rensselaer Polytechnic Institute.