Concepts* Equipment * Explanation

 

Interference of Longitudinal Waves
Demonstration created by: Dr. Scott Dwyer - 2002
Modified 8/13/03

     
    CONCEPTS:
   
Bulk Modulus Resonance
Frequency Sound Waves
Interference Waves
Nodes  
  EQUIPMENT:
 
Aluminum Rod Propane
Bunsen Burner Metal Burners
Cardboard Tube Speaker
Flame Tube  
  EXPLANATION:

If you shout "HELLO!" at the Grand Canyon, you will hear "HELLO!" return back in a few seconds. But suppose you shout the entire Gettysburg Address? You will be shouting "...our forefathers brought forth on this land..." when "Four score and seven years ago" returns as the echo. Your outgoing speech will be interfering with the echo and will create a jumble of words.

What would happen if you sent out in a tight beam a continuous wave of single frequency and amplitude. When it reflects back, it would interfere with the outgoing wave. In some places, it might interfere "constructively" producing maximum sound and in others, "destructively" producing zero sound. Where you get maxima and minima, and even if you do, depends on the length of the path the sound takes, and the frequency or wavelength of the sound. With the right frequency and path length, you can set up a "standing waves" --- a wave that appears to be fixed in space.

When a wave reflects from a fixed end, like the end of a vibrating string, it makes sense that it must have ZERO amplitude at the fixed end. That's why it's called "fixed". But when a wave reflects back from a free end, it forms a maximum amplitude at the end, and hence it's called a "free" end.

In a tube with two fixed ends, the standing wave patterns looks just like a vibrating string. You can get half a wavelength, a whole wavelength, 3/2 wavelength, and so on, as standing waves. These particular frequencies are known as the resonant frequencies. They provide just the right wavelength to completely fit inside the pipe. Slightly longer or shorter wavelengths don't fit exactly.

You can observe this dramatically with a demo I call the "Flame Tube". I put a speaker at one end of a tube, close off the other end and pump propane into the tube. The propane comes out of the little metal burners on top. At most frequencies of sound, nothing happens --- all the flames are the same height. But at certain special or resonant frequencies, the flames take on the shape of the standing wave within the tube:

"WAIT A MINUTE, Professor!
I THOUGHT YOU SAID THE ENDS OF THE TUBE WERE NODES or POINTS OF ZERO DISPLACEMENT. HOW COME THE FLAMES ARE HIGHEST AT THE ENDS????"

Ummm, well... ok, Einstein.
You're right. There should be Zero amplitude at the ends, but Zero displacement amplitude. What you are looking at with the flames is the pressure variation inside the pipe, not the displacement variation. Remember that pressure and displacement are 90 degrees out of phase with each other. Zero displacement means maximum pressure. Maximum displacement means minimum pressure.

_______________________________________________
For my next trick, I have Paul take an ordinary cardboard tube, open at both ends. If he holds it over a Bunsen burner, he can create longitudinal waves in the tube. Those wavelengths that happen to match the length of the tube in some whole or half wavelength will be made much stronger than others. That's resonance. So the open pipe will make a very loud, low tone corresponding, in this case, to its fundamental resonant frequency.
Or, how about.....
.... if Paul takes an aluminum rod. He can stroke the rod and excite within it (Hey! Come on, pay attention!) longitudinal vibrations that correspond to resonant frequencies.
If he holds the rod in the center, the center will be a displacement node, the ends displacement antinodes, and the rod will contain one half wavelength.

If he holds it at the first 1/4 length point, that becomes a node, the 1/4 length point on the other end is the other node, and he has a full wavelength in the rod.

The sound from the rod is a high pitch (high pitch = high frequency). This is because the wave speed is very high:
v = f λ, so f = v/ λ

What determines the wave speed is primarily the Bulk Modulus of the aluminum, or how easily compressed the aluminum is. v = √ (B/ρ)

If you tap the rod on its side, it makes a low "clang" --- a much lower frequency than if you stroke it. That's because now you're not compressing the aluminum but making it vibrate back and forth (related to something called "Shear Modulus"). It's much easier to vibrate the rod this way than by trying to compress the aluminum. Hence, the wave speed will be much lower, and the resulting sound a lower pitch.